Art history and culture

All Items

• ABOUT THE PHENOMENA OF TRADITIONALISM IN THE MODERN WORLDVIEW OF THE YAKUTS

  Daria Bragina

  144-148

• APPLICATION OF UKRAINIAN TRADITIONAL MOTIVES OF DECORATIVE AND APPLIED ART IN THE INTERIOR OF CATERING ESTABLISHMENTS IN UKRAINE

  Yuliana Petrovska, Daria Konopatska

  135-139

• ART THERAPY AND TRAUMATIC POST-WAR EXPERIENCE: AMERICAN PTSD STUDIES

   Dasha Khrisanfova, Krivuts Svetlana, Volodymyr Tarasov

  91-99

• ART-HISTORY COMPONENT MUSICAL FILLING IN THE FOCUS OF CINEMA CULTURE

  Sviatoslav Melnychuk, Maxim Melnychuk

  174-180

• CULTURAL ANALYSIS OF INCLUSIVE WORK IN THE DRAMA GROUP

  Iryna Kabanova

  116-130

• CULTURE-ANTHROPOLOGICAL PURPOSE OF THE DOCUMENT IN MODERN CONDITIONS

  Elvira Abramova

  87-90

• CULTUROLOGICAL ASPECTS OF ALIEN HYSTERIA. IMAGES OF ALIENS IN MOVIE MYTHS AND LEGENDS

  Lyubov Romanchuk, Vladislava Dyabina, Dmytro Shchytov

  101-115

• DESIGN-EDUCATION. FEATURES OF AESTHETIC EXPLORATION OF SPATIAL - SUBJECT ENVIRONMENT

  Nataliia Romanenko

  98-109

• DIGITAL INFORMATION TECHNOLOGIES AND POETICS OF CULTURE: TRANSFORMATION OF MEANINGS AND FORMS

  Stanislav Sumiatin

  154-166

• DIGITAL VISUAL IN HUMANITIES (CULTURОLOGICAL ASPECT)

  Andrii Parkhomenko

  144-153

• DIGITALIZATION OF CREATIVE INDUSTRIES IN CULTURE AND AWARENESS IN THE MINDS OF WICKS OF MINISTRAL SUSPENDSHIP

  Vladyslava Liubarets, Yurii Kryvets

  152-156

• DOCUMENTARY PHOTOGRAPHY AS PART OF VISUAL HISTORY AND ANTHROPOLOGY

  Tatyana Ovcharenko, Kateryna Kobets

  167-173

• ELEMENTARY SCHOOL OF DOUBLETHINK: THE EDUCATION SYSTEM AS AN OBJECT OF CRITICISM ON THE MOVIE SCREEN

  Maksym Klopenko

  105-114

• EMBODIMENT AS AN ARCHIVE OF MEMORY: THE PHENOMENOLOGY OF TRAUMATIC EXPERIENCE IN CINEMA

  A.A. Demura

  175-184

• ESSAYS ON THE THEORY OF DIRECTING. NEW METHODOLOGICAL AND SOCIO-CULTURAL ASPECTS OF THE UKRAINIAN SIXTIES

  Elena Kovalenko

  155-161

• EXPLANATION OF THE MUSICAL HERITAGE OF ROMANTICISM OF WESTERN EUROPE AT THE TURN OF THE 18-19 CENTURIES: IN THE PERSPECTIVE OF ART HISTORY ANALYSIS

  Sviatoslav Melnychuk

  211-214

• EXPRESSIVE AESTHETIC FEATURES OF TRADITIONAL UKRAINIAN PAINTING AND ITS APPLICATION

  Nataliia Romanenko, Yulia Pomylyaiko

  194-203

• FATHER FIGURE IN THE UKRAINIAN CINEMATOGRAPHY OF THE 1920’S: SOCIO-CULTURAL ASPECT

  Volodymyr Nykonenko

  120-125

• FEATURES OF MODERN TRANSFORMABLE FURNITURE DESIGN

  Mariia Khomenko

  166-174

• FEATURES OF TRADITIONAL MUSICAL CULTURE IN CHINA

  Liwen Wang

  123-127

• FOLK MUSIC ART IN THE CONTEXT OF WORLD CLASSICS

  Sviatoslav Melnychuk, Maxim Melnychuk

  119-122

• FROM STAGE TO SCREEN: APPLYING SEMIOTIC COMEDY IN MODERN ENTERTAINMENT FORMATS

  Oleksandr Gorbatyi

  185-195

• HARMONIZATION OF ARTISTIC-FIGURATIVE COMPOSITION IN COLOR

  Natalia Romanenko, Vladimir Krivonos

  149-154

• INNOVATIVE APPLICATION OF DIGITAL TECHNOLOGY IN DISPLAY DESIGN OF SCIENCE AND TECHNOLOGY MUSEUM

  Ruslana Khynevych, Feifei Xiao

  154-164

• INTERPRETATION OF THE CONCEPT OF "CULTURAL HERITAGE" IN THE AUTHOR'S CONCEPTS

  Tatiana Filatyeva

  146-150