Art history and culture

All Items

• ABOUT THE PHENOMENA OF TRADITIONALISM IN THE MODERN WORLDVIEW OF THE YAKUTS

  Daria Bragina

  144-148

• APPLICATION OF UKRAINIAN TRADITIONAL MOTIVES OF DECORATIVE AND APPLIED ART IN THE INTERIOR OF CATERING ESTABLISHMENTS IN UKRAINE

  Yuliana Petrovska, Daria Konopatska

  135-139

• ART THERAPY AND TRAUMATIC POST-WAR EXPERIENCE: AMERICAN PTSD STUDIES

   Dasha Khrisanfova, Krivuts Svetlana, Volodymyr Tarasov

  91-99

• CULTURAL ANALYSIS OF INCLUSIVE WORK IN THE DRAMA GROUP

  Iryna Kabanova

  116-130

• CULTURE-ANTHROPOLOGICAL PURPOSE OF THE DOCUMENT IN MODERN CONDITIONS

  Elvira Abramova

  87-90

• CULTUROLOGICAL ASPECTS OF ALIEN HYSTERIA. IMAGES OF ALIENS IN MOVIE MYTHS AND LEGENDS

  Lyubov Romanchuk, Vladislava Dyabina, Dmytro Shchytov

  101-115

• DESIGN-EDUCATION. FEATURES OF AESTHETIC EXPLORATION OF SPATIAL - SUBJECT ENVIRONMENT

  Nataliia Romanenko

  98-109

• ESSAYS ON THE THEORY OF DIRECTING. NEW METHODOLOGICAL AND SOCIO-CULTURAL ASPECTS OF THE UKRAINIAN SIXTIES

  Elena Kovalenko

  155-161

• EXPLANATION OF THE MUSICAL HERITAGE OF ROMANTICISM OF WESTERN EUROPE AT THE TURN OF THE 18-19 CENTURIES: IN THE PERSPECTIVE OF ART HISTORY ANALYSIS

  Sviatoslav Melnychuk

  211-214

• EXPRESSIVE AESTHETIC FEATURES OF TRADITIONAL UKRAINIAN PAINTING AND ITS APPLICATION

  Nataliia Romanenko, Yulia Pomylyaiko

  194-203

• FATHER FIGURE IN THE UKRAINIAN CINEMATOGRAPHY OF THE 1920’S: SOCIO-CULTURAL ASPECT

  Volodymyr Nykonenko

  120-125

• HARMONIZATION OF ARTISTIC-FIGURATIVE COMPOSITION IN COLOR

  Natalia Romanenko, Vladimir Krivonos

  149-154

• INNOVATIVE APPLICATION OF DIGITAL TECHNOLOGY IN DISPLAY DESIGN OF SCIENCE AND TECHNOLOGY MUSEUM

  Ruslana Khynevych, Feifei Xiao

  154-164

• INTERPRETATION OF THE CONCEPT OF "CULTURAL HERITAGE" IN THE AUTHOR'S CONCEPTS

  Tatiana Filatyeva

  146-150

• MEANS OF COMPOSITIONAL EXPRESSION IN THE JEWELRY DESIGN

  Yelizaveta Polevska, Natalia Ostapenko, Marina Kolosnichenko, Iryna Prikhodko-Kononenko

  83-88

• METHODS, PRINCIPLES AND MECHANISMS OF CREATING A CINEMA MYTH

  Lyubov Romanchuk, Vladislava Dyabina, Dmytro Shchytov

  137-152

• ON THE UNIVERSAL HUMAN CONTENT AND THE NATIONAL FORM OF CULTURE

  Daria Bragina

  125-131

• PRACTICAL AND COMPETENTIAL APPROACHES AS A METHODOLOGICAL BASIS FOR THE PROFESSIONAL TRAINING OF FUTURE MUSIC TEACHERS

  Arina Miteva, Anna Vrubel

  188-193

• RESEARCH ON THE APPLICATION DESIGN OF NEW MEDIA IN MODERN MUSEUM INTERIOR DISPLAY

  Danylo Kosenko, Xina Cui

  140-147

• RESEARCH ON THE APPLICATION OF URBAN IMAGE DEDIGN IN CULTURAL AND CREATIVE PRODUCTS

  Oleksandra Shmelova-Nesterenko, Huitong Zhou, Danylo Kosenko

  148-153

• RETHINKING UKRAINE THROUGH MODERN AMERICAN CINEMATOGRAPH

  Iryna Nakashydze, Tatiana Radkevich

  140-143

• SONGWRITING BY STANISLAV MONIUSHKO: ITS REVIVAL IN THE CONTEXT OF POLISH CULTURAL PROJECTS

  Galyna Cherusheva, Iryna Barvinok

  126-136

• THE CREATIVE PATH OF THE HONORED ARTIST OF UKRAINE SERHIY VIKTOROVYCH NAYENKA AND HIS ACTIVITIES AT THE LVIV CHOREOGRAPHY SCHOOL

  Roksolana Mokriy

  204-210

• THE IMAGES OF UKRAINIAN MODERN EX-LIBRIS

  Viktor Tupik

  88-94

• THE MUSICAL HERITAGE OF PETER TCHAIKOVSKY IN THE CULTURAL AND EDUCATIONAL SPACE OF UKRAINIAN DIASPORA OF NORTH AMERICA

  Oleksandra Nimylovych

  140-146